Upcoming Auditions

***ANUNCIO DE AUDICIONES***
No La Ví Venir

por Mark Harvey Levine

traducida y adaptada por Roberto Cavazos


Cuando: viernes el 10 de abril, 6 pm

Donde: Warehouse Theatre Company, 1610 S. 24th Avenue, Yakima


Dirigido por Chelle Bos

WTC realizará audiciones para 4 a 10 actores de edades de 16 años en adelante para interpretar una colección de obras humorísticas de un acto, presentadas en formato de «lectura dramatizada» (con guion en mano). También se necesitan asistentes de producción.


Las fechas y horarios de los ensayos se determinarán en función de la disponibilidad de los actores.

El ensayo técnico será el 29 de mayo a las 6:00 pm.


Funciones: sábado 30 de mayo, a las 2:00 pm y 7:00 pm

La participación es gratuita; se cobrará una entrada de $15 para asistir a las funciones.


Para más información, envíe un correo electrónico a chelle@warehousetheatrecompany.org.


Warehouse Theatre Company celebra, apoya y se nutre de la diversidad de nuestra comunidad. Alentamos a artistas de todas las razas, religiones, orígenes nacionales, géneros, orientaciones sexuales, identidades de género, expresiones de género, edades y niveles de capacidad a presentarse a las audiciones.


A Script-in-Hand Production directed by Corie Burck


Audition Date: Sunday, April 12, 2026 starting @ 3:00 p.m.

@ Warehouse Theatre

1610 S. 24th Avenue


Casting for 3 women & 1 man

- Sister Aloysius Beuvier: Female, 50s - 70s

- Father Brendan Flynn: Male, 30s - 40s

- Sister James: Female, early 20s-30s

- Mrs. Muller: Female, 30s - 40s (Note: the role of Mrs. Muller is intended for a Black actor for authentic representation)


Rehearsals: April 13 - 16

Performance Dates:

April 17 & 18 @ 7:00pm


In this powerful drama, Sister Aloysius, a Bronx school principal, takes matters into her own hands when she suspects young Father Flynn of improper relations with one of the male students. Her evidence is her certainty. As Variety magazine said, Doubt is "... less about scandal than about the fascinatingly nuanced question of moral certainty."


- Freedom, Love, and One Very Clever Hero -

Summer 2026


A Funny Thing Happened on the Way to the Forum

Book by Burt Shevelove & Larry Gelbart 

Music & Lyrics by Stephen Sondheim


Audition Dates:

Monday, May 25, and Tuesday, May 26, 2026 starting @ 6:00 p.m.

@ Warehouse Theatre

1610 S. 24th Avenue


Directed by Ray Pritchard

Produced by Chelle Bos


*PLEASE NOTE: Must be over 18 to audition

No prepared material necessary; auditioners will be taught music from the show. Wear clothing allowing movement. 


11 - 20 cast members needed to play characters ages 18 - 70

As written, the play calls for 8 men and 2 women PLUS a chorus of approximately 10 men & 10 women


PERFORMANCES July 10–25 • 2026


A Funny Thing Happened on the Way to the Forum is a nonstop laughfest in which Pseudolus, a crafty slave, struggles to win the hand of a beautiful, but slow-witted, courtesan named Philia for his young master, Hero, in exchange for freedom. The plot twists and turns with cases of mistaken identity, slamming doors and a showgirl or two.



- Love is The Bravest Act of All -

Fall 2026


Much Ado About Nothing

by William Shakespeare


Audition Dates:

Monday, July 27 at 6:00 PM
Callbacks:
Tuesday, July 28 @ 6:00 PM

@ Warehouse Theatre

1610 S. 24th Avenue


Directed by Jenny Brown

Produced by Keila Scott


This audition will use prepared monologue selections provided in advance for each role.

Cold readings may be used if necessary.  


16 cast members needed


PERFORMANCES September 18 - October 3  • 2026


Much Ado About Nothing follows two interwoven plots in Messina, Italy: young lovers Hero and Claudio's impending marriage, which is nearly ruined by the villainous Don John's plot to fake Hero's infidelity; and the "merry war" between confirmed bachelors Beatrice and Benedick, who are tricked by friends into falling in love, culminating in a double wedding and reconciliation after the deception is exposed by the bumbling Watch.


About the Audition

Auditions for Much Ado About Nothing will consist primarily of prepared monologue selections provided in advance.

Actors should review the provided materials and come prepared to demonstrate a strong understanding of the text, character, and language.

A link to audition sides and monologue options is available here:
Link to Audition Sides

Auditioners may prepare up to two different character selections. This is encouraged for those interested in multiple roles.

Cold readings may be used at the director’s discretion, but preparation is expected.


What to Expect

  • Individual prepared monologue(s)
  • Possible brief direction or adjustment
  • Callbacks will consist of scene work and partner reads


Character Breakdown

Don Pedro – A Prince and soldier; confident, charismatic, any adult age

Leonato – Governor of Messina, Hero’s father; older, authoritative, warm

Antonio – Beatrice’s father; older than Leonato, a gentleman of Messina

Benedick – A soldier; 30s–50s; witty, sharp, proudly anti-marriage (until he isn’t); upper class (Must be willing to kiss on stage)

Beatrice – 30s–50s; intelligent, independent, quick-witted, equally anti-marriage (also until she isn’t); upper class (Must be willing to kiss on stage)

Claudio – A young soldier; 16–30; romantic, impressionable; upper class (Must be willing to kiss on stage)

Hero – 16–30; gentle, sincere, often underestimated; upper class (Must be willing to kiss on stage)

Margaret – Hero’s attendant; playful, bold, thinks herself clever; any age

Ursula – Hero’s attendant; grounded, observant; any age

Don John – Don Pedro’s brother; a soldier and prince; brooding, resentful antagonist

Borachio – Follower of Don John; opportunistic, morally flexible; any age

Conrade – Follower of Don John; self-serious, thinks highly of himself; any age

Dogberry – Constable; lower class; comically self-important, frequently misuses language; any age

Verges – Dogberry’s partner; slower, possibly more perceptive than he appears; any age

Sexton (Francis Seacoal) – Lower class; practical, steady; may be double cast

Messenger – Soldier; may be double cast

Watchmen (4) – Lower class; comic roles with distinct personalities; any age

Balthasar – A singer/musician; any age; may be double cast

Friar Francis – Thoughtful, grounded; any age; may be double cast

Ensemble – Musicians, servants, mourners, party guests, dancers; approximately 4–7 performers; any age


Additional Notes

  • This production will feature a strong emphasis on language, clarity, and character-driven storytelling
  • Actors should be comfortable working with Shakespearean text
  • Movement, music, and ensemble work may be incorporated throughout the production

GENERAL AUDITION INFORMATION


Prior to auditioning for any show, please read the following documents regarding the Warehouse Theatre Company's policies and practices.

If cast, you will receive information specific to your show and you will be held accountable to these standards:


WTC Cast Contract

WTC Concern Resolution Pathway

WTC Code of Conduct

WTC Whistleblower Policy


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The Warehouse Theatre Company celebrates, supports, and thrives on the diversity of our community.


We encourage performers of all races, religions, national origins, genders, sexual orientations, gender identities, gender expressions, and ability levels to audition.